Harry was wearing a Vivienne Westwood suit in red and cream, and Nick roasted him:
"I like the suit, by the way. Did you make it out of tea towels?"
Harry played his new songs and they had a chat on what inspired them, how they were created,etc.
Harry on "Kiwi":
"This kind of started out as a joke and now it's one of my favourite songs"
Harry on "Carolina" and who the girl is:
“So the person who [Carolina] is
about found out - I found out about how they found out that it was on there.
Their dad watches the Today Show and he like left her a voicemail saying ‘Uh, I
think he just sang a song about you on the TV’
Harry on "Two Ghosts":
“I think some things are,
just more like personal notes and they don’t feel like- I don’t know, sometimes
if it’s a personal song, you don’t want anyone else to sing it. So, yeah. I
don’t really know. I kind of subconsciously held onto it, I guess. It lived in
my emails, and now it is born.”
“doesn’t
feel as cool as you think it does…it didn’t fail…(Nick: NME said it did) of
course they did…I’ve never done it before and I was encouraged and I got the
thumbs up from the powers that be and it worked for a second and then it was
like a sinkhole”
Here are some pieces from other interviews:
- Harry on One Direction:
“The thing
that [One Direction] shared was a beautiful thing, but it was better to take a
break than until we were all worn out. Taking a break has been good as a band
and as individuals. Nobody can exclude anything for the future but right now we
enjoy this phase of growth and musical and personal discoveries.” (Corriere)
- Harry on Simon Cowell:
Chris Evans: “Do you have anything Simon Cowell
gave to you?”
Harry: “errrrrrrmmmm…..anxiety.”
- Harry on Sweet Creature and whether it is about Louis Tomlinson:
“Oh,
is that a thing?” he said, amused by the internet chatter linking his new song
Sweet Creature to his 1D bandmate Louis Tomlinson. “Well, whatever it is that
it makes one feel. But I think if you listen to the lyrics, you can work out
what it’s about.” :)
The best summary of Harry's interviews by The New York Times:
“On the phone from London this month, he insulated his vagueness with
polite deflection and generalities while declaring that his new album was his
most open work to date.”
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